José Clemente Orozco in front of his mural. Unknown photographer, undated.
José Clemente Orozco © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City.
José Clemente Orozco and Camilo Egas with Call to Revolution and Table of Universal Brotherhood (Science, Labor and Art), 1930-31. Photo by Jerry May.
Courtesy The New School Archives and Special Collections. José Clemente Orozco © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. © Camilo Egas, courtesy Eric Egas.
José Clemente Orozco working on mural with assistant, Lois Wilcox. Unknown photographer, 1930. New School mural commission documentation, NS.03.05.01, box 3, folder 4, The New School Archives and Special Collections, The New School, New York, New York.
José Clemente Orozco © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City.
“New School Keeps Red Mural Hidden: Curtain to Stay Over ‘Soviet’ Part of Work by Orozco Despite Student Protest.” The New York Times, May 22, 1953.
© Neal Boenzi/The New York Times Redux
Conrad Eiger. Orozco Room, unidentified event. Probably late 1940s. [featuring: Erwin Piscator, Alexandre Koyré, Henri Gregoire, and others]. The New School Photograph Collection, NS.04.01.01, box 4, folder 14, The New Archives and Special Collections, New York, New York.
José Clemente Orozco © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City.
Rev. Al Sharpton speaking at an unidentified event in the Orozco Room [slide]. Undated, unknown photographer. The New School Photograph Collection, NS.04.01.01, box 4, folder 13, The New Archives and Special Collections, New York, New York.
José Clemente Orozco © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City.
Berenice Abbott, José Clemente Orozco. 1936, gelatin silver print, The New School Art Collection.
© Masters Collection/Getty Images.
Party at Alma Reed’s Delphic Studios. Unidentified photographer, circa 1936. Enrique Riverón papers, 1918-1990s.
Archives of American Art, Smithsonian Institution.
Stanley Seligson. Unveiling of Orozco murals after restoration. October 5, 1988. [On the photo: Clemente Orozco Valladeres, Bernardo Sepulveda, Mayor Koch, Jonathan F. Fanton, Joaquin Bernal seventh person unidentified]. New School mural commission documentation, NS.03.05.01, box 3, folder 13, The New School Archives and Special Collections, The New School, New York, New York.
“New Social School Viewed by Public.” The New York Times, February 2, 1931, The New School Publicity Office records, NS.03.01.02, box 13, folder 9, The New School Archives and Special Collections, The New School, New York, New York.
Alvin Johnson’s letter to President Hans Simons on covering the murals, (December 11, 1950), The New School Publicity Office records, NS.03.01.02, box 13, folder 9, The New School Archives and Special Collections, The New School, New York, New York.
“New School Keeps Red Mural Hidden: Curtain to Stay Over ‘Soviet’ Part of Work by Orozco Despite Student Protest.” The New York Times, May 22, 1953. The New School Mural collection, NS.03.05.01, box 2, folder 6, The New School Archives and Special Collections, The New School, New York, New York.
“Curtain (Iron) Stirs School Art Row: Stalin Mural Covered Up,” World Telegram and Sun. May 21, 1953. The New School Art Collection Files
The New School Student Committee Against the Curtaining of Murals. Student Mural Committee Disbands, Urges Freedom Forum. December 10 1953. New School Publicity Office records; General subjects and administrative records. New School Archives and Special Collections Digital Archive. Web. 27 July 2019. More about this document…
Vogelgesang, Shephard. “The New School for Social Research.” The Architectural Record 69 (February 1931): 138-150. The New School Art Collection Files
Johnson, Alvin. Notes on The New School Murals. New York: The New School for Social Research, 1943.
Stamps featuring Orozco’s The Table of Universal Brotherhood, issued in three languages by the United Nations, for the 40th Anniversary (in 1988) of the Universal Declaration of Human Rights. The New School Art Collection Files
Alma M Reed. Letter from Alma M. Reed to Agnes de Lima Concerning Restoration of Murals by Jose Clemente Orozco. April 17 1953. New School Publicity Office records; General subjects and administrative records. New School Archives and Special Collections Digital Archive. Web. 27 July 2019. More about this document… You can read the school’s response here and here.
Program for the book launch of I Stand in My Place with My Own Day Here: Site-Specific Art at The New School, on October 2, 2019.
