Shannon Mattern reads her essay, The Gentle Wind Doth Move Visibly. This piece appears in the book I Stand in My Place with My Own Day Here: Site-Specific Art at The New School.
Thomas Hart Benton America Today, 1930–31
José Clemente Orozco Call to Revolution and Table of Universal Brotherhood (The New School Mural Cycle), 1930-1931
Camilo Egas Ecuadorian Festival, 1932
Gonzalo Fonseca Untitled, 1961
Martin Puryear and Michael Van Valkenburgh, Vera List Courtyard, 1997
Dave Muller Interpolations and Extrapolations, 2002-2003 Extensions (Interpolations and Extrapolations), 2008
Sol LeWitt Wall Drawing #1073, Bars of Color (New School), 2003
Kara Walker Event Horizon, 2005
Brian Tolle Threshold, 2006
Rita McBride Bells and Whistles, 2009–2014
Alfredo Jaar Searching for Africa in LIFE, 1996/2014
Glenn Ligon For Comrades and Lovers, 2015
Agnes Denes Pascal’s Perfect Probability Pyramid & the People Paradox – The Predicament (PPPPPPP), 1980/2016
Andrea Geyer Anemoi, 2019–2020
